Or is it? Either way, though, the film is terrifying.
81 genuinely creepy horror movies | Den of Geek
In a decaying house on an old plantation, an old man is dying. Is the old man actually under a spell? Why does he seem so terrified of his wife? And might Caroline herself be in danger? Insidious uses just about every trick in the book to creep out its audience, and for some people, that might seem like overkill. Part of the initial wave of soggy dead girl movies, Dark Water is occasionally very daft, but still effectively creepy.
Yoshimi Matsubara is a divorcee, forced by circumstances to move into a crumbling apartment block with her young daughter, Ikuko. Slowly, inexplicably, a small town is taken over by spirals. Some people become obsessed; others are killed, their bodies twisted into impossible positions. Unspeakably weird. A young boy is sent to a creepy orphanage, where the other boys scare one another by telling stories about the resident ghost, Santi, who was killed when the orphanage was bombed.
Saskia and Rex are on holiday when Saskia suddenly, inexplicably, disappears. Rex dedicates his time to trying to find her, but to no avail.
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It starts off slow: a middle-aged man is thinking about dating again, but rather than trying to meet women via traditional methods, he holds a series of fake auditions for a non-existent movie. Pretty much every character in this movie is an awful person, and the way they treat one another is disturbing on many, many levels. Also directed by Takashi Miike, One Missed Call is a parody of the endless string of soggy dead girl movies made in Japan at the time.
The premise is that, as the title suggests, teenagers are receiving missed calls on their mobile phones. Sure enough, the kids all die just as the missed call predicted. Every day, he tools up and goes out to kill the bloodsuckers; every night, they surround his house and try to kill him. Part melodramatic family drama, part psychological horror, A Tale Of Two Sisters is all scary all the time.
But as always in these kinds of films, nothing is what it seems — you might need a second viewing to get your head round the ending. The use of light and shadow in this movie is just stunning; the first time Powell arrives at the Harper house is a particular highlight. Also, the bit at the end where the psychiatrist explains everything in great detail is utterly superfluous.
81 genuinely creepy horror movies
Getting the timing of a holiday wrong can have disastrous consequences, as City Of The Dead illustrates. Um, oops. For no apparent reason, one day every living being in the English village of Midwich falls unconscious. For hours, no one can get near Midwich without passing out. When they wake up, every woman in the village finds herself mysteriously pregnant. Re-Animator director Stuart Gordon toned things down a bit for this creepy fairy tale, but not much.
When a reclusive old lady dies in an isolated house out in the marshes, a young lawyer is sent to sort out her estate. The wonderfully named Mimsy Farmer plays Sylvia, a scientist haunted by melancholy and hallucinations.
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But are her problems really all in her head, or is there something else going on? Dark and twisted and incredibly gory, May is as sad and sweet as it is creepy. A lot of that is attributable to Angela Bettis, whose performance is adorably unnerving. In this unauthorised take on Dracula , the evil Count is depicted not as a tragic or romantic anti-hero, but as a horrifying embodiment of the plague — complete with an entourage of rats. Max Schreck makes a brilliantly weird-looking vampire, all teeth, ears and fingernails; his shadow is especially unnerving.
Which turns out to be soon. The book explains that the town is plagued by vampires — and, helpfully, gives instructions on how to kill them. Vampyr is an early sound film, so while there is some sound and a little dialogue, most of the silent film conventions are still in place.
Bela Lugosi is the definitive Dracula. A year after Dracula, Lugosi starred as Murder Legendre, an evil voodoo master, in one of the first ever zombie movies. Lugosi is suitably menacing, and the drone-like zombies are properly eerie. For a few years, in s Italy, Nicoletta Elmi was the go-to creepy kid. The found footage conceit is used to great effect, making you stare intently at grainy nighttime footage of an empty room, straining your ears for distant footsteps, before making you jump out of your skin with a loud bang.
So much of the effectiveness of a horror movie comes down to its sound design. A well-placed creak, groan, echo, or jangle can make the difference between something completely normal and something terrifying. Julia and her twin sister, Sara, both suffer from the same degenerative disease — one that causes them to go blind. When Sara undergoes experimental surgery and subsequently kills herself, Julia suspects foul play — and, indeed, something weird seems to be going on, with whisperings about an invisible man lurking in the shadows.
Another film about eyes and the horrors of going blind, The Eye follows Mun, a classical violinist from Hong Kong, as she undergoes an eye transplant. And most of them are terrifying. Co-written and co-directed by Paco Plaza and Jaume Balaguero yup, him again , [REC] is a decent enough zombie movie, until the final reel, when it reveals an even more terrifying ace up its sleeve. The use of a candy jingle is, against all odds, really eerie, and by paring the story down to its most essential elements and getting rid of that daft cat scene Let Me In makes for a scarier watch than Let The Right One In.
After a traumatic accident, weird things start happening to Mary. A strange man seems to be stalking her, though no one else can see him, and she feels irresistibly drawn to an abandoned pavilion out in the middle of nowhere. The climactic scenes at the carnival are pure nightmare fuel.
Probably the most effective of all the Stephen King adaptations, The Shining plonks Jack Nicholson down in the middle of a creepy hotel and lets him do his thing. There are so many creepy images in this film: the twin girls who just want to play, the woman in room , the lift full of blood, and, oh, lots more. Is Caligari a hypnotist, a murderer, or both? A documentary film crew treks their way through the Amazon and runs across a Paraguayan trapper played, with absolute scenery-chewing glee, by Jon Voight. He tricks them into helping him hunt a rare and gigantic anaconda, a quest which eventually gets practically everybody killed.
But they missed out.
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It works better than you might think. After all, this all-star spook house thriller works more like a carnival ride than a movie. Geoffrey Rush hams it up as a millionaire who invites a group of weirdos to spend the night in — gasp! And to think, Al Pacino used to be considered a pretty subtle actor. The theatrical cut is just fine. Everyone remembers this film because of Samuel L.
Years before it became fashionable, a group of college LARPers decided to play a game in the halls of the science building, completely unaware that a baboon has escaped its cage and — thanks to yet another one of those scientific experiments the s warned us about — it wants everybody dead. A family moves onto a military base while the father conducts some research, all of them unaware that an alien invasion has already started, and that many of the people around them have been replaced with alien duplicates in their sleep.
For the very best, scroll down to A little boy has been kidnapped by a witch, and while she pre-heats her oven he tries to distract her by telling scary stories. Jeff Fahey loses his arm in a car accident, but he becomes the recipient of a donor arm in an experimental new procedure. Nichols uses this story of a mild-mannered book editor who, after being bitten by a wolf, begins to assert himself and reclaim his masculinity, as a way to expose our anxieties about losing touch with our inner urges within an urban landscape.
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