Directed by Louis Lettieri The Incredible Hulk , Clash of the Titans , this series, set on a planet far away, boasts extraordinary old-school puppeteering and practical effects, treating every scene and image as a chance to dazzle the eye. Medical shows are one of the oldest TV genres. Lisa Sanders, takes stories of disease, doctors, and cures into new territory that reflects an increasingly collaborative approach toward medicine.
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Each episode focuses on a patient dealing with a rare affliction that medical professionals have struggled to identify or effectively treat. Sanders takes on each case and uses her platform to crowdsource a diagnosis, relying not only on doctors and health experts, but also others who have experienced similar symptoms. Exuberantly embracing the idea that too much can be just right, this teen melodrama from Sam Levinson is set in a Southern California bedroom community, but tells the story in a fantastically exaggerated, expressionistic style, storyboarding all the action to within an inch of its life, and filming mainly on constructed sets rather than real locations, the better to permit acrobatic camera moves and wild lighting effects.
There are no small moments. Even the grace notes are epic. Absence makes the heart grow fonder, and it has certainly grown justifiably fonder for this British series created by the bundle of side-eyed brilliance that is its star, Phoebe Waller-Bridge. When the first season of this character study dropped on Amazon back in , it received positive notices but not a lot of buzz. Waller-Bridge is as sharp as ever, and the storytelling is even more focused, particularly with regard to a budding romance between Fleabag and a hot priest played by Andrew Scott that has forced Twitter to collectively and repeatedly fan itself in appreciation.
Yet the specificity of it, particularly in showing the minute details of collaboration, is a big part of what made it feel unique. But the more you sit with this one, the more substantial it feels. The third season of the female wrestling dramedy shifts the action from L. But it also continues to dissect the relationship between Ruth Alison Brie and Debbie Betty Gilpin , the best friends turned rivals turned colleagues who continue to look to each other for reaffirmation.
Separately, Brie and Gilpin are fantastic. It almost feels disrespectful to consider this two-part, four-hour documentary about two sexual-abuse survivors in the context of lighter entertainment. But the documentary is ultimately less interested in bringing down a legend than in bearing witness to Wade Robson and James Safechuck, men who still carry the scars of a profoundly damaging experience they say they suffered at the hands of Jackson.
Set in Mexico and L. But like the rest of the series, they tell us something about the men who, along with their colleague, Wendy Carr Anna Torv , are trying to understand what makes homicidal maniacs tick without considering that their internal clocks are built using similar machinery. It took more than two years for the second season of The OA , the spiritual mystery-thriller puzzle box of a Netflix drama from Brit Marling and Zal Batmanglij, to finally arrive. The result is an even more complex, sprawling, self-serious journey through multiple dimensions. So why does this show make the cut, then?
Because of its ambition, its fierce commitment to its extremely particular artistic sensibility, and a twist ending that made me immediately curious to see a Part III. Set in the fictional Los Angeles neighborhood of Freeridge, and co-created by Lauren Iungerich Awkward and the screenwriting team of Eddie Gonzalez and Jeremy Haft All Eyez on Me , this teen-driven series favors broad comedy built around shenanigans.
But it also manages to swing between that mode and the crime thriller, the telenovela, and social satire, sometimes within the space of a few minutes. Co-created by its star, Hasan Minhaj, and head writer Prashanth Venkataramanujam, Patriot Act is one of the few political-commentary series to come along since Last Week Tonight with John Oliver that adds something fresh and new to the format.
Watching a woman repeatedly die and come back to life at the same birthday party could have been an exercise in redundancy. And it did all of that with a distinctly female eye, with every episode directed by a woman. Metaphorically, Russian Doll goes backward, again and again, and does it in heels. Its episodes are a series of streaming-TV reminders that every person is a novel whose cover only tells a tiny slice of their story.
Who knew that watching random people clean their houses could be so entertaining and moving? Tidying Up is both, partly because best-selling author Marie Kondo is such a charming and calming presence, but also because so many people struggle with curbing clutter and keeping their homes straight.
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Tidying Up shows a potential path toward overcoming the piles without setting unrealistic expectations. It also caused people all over the world to start folding their clothes into perfect, dresser-drawer-ready rectangles , and for that alone it is obviously Emmy-worthy. Also, the performances are extraordinary. Kaitlyn Dever will break your heart as Marie, the rape victim whose recall is questioned by careless cops. Suddenly, she begins seeing her late father Bob Odenkirk who wants to teach her how to bend the rules of space and time to figure out why he actually died years earlier, in what was believed to be a car wreck.
Is Rosa mentally ill or is she finally seeing things with true clarity? You want to keep watching to find out. This brutally funny HBO series has functioned, sometimes accidentally, as a kind of political meteorologist. In ways that have been both amusing and unsettling, it has often known which way the wind would blow in D. In its seventh and final season, Veep still managed to unwittingly sync with reality. Remember when people at a Trump rally yelled that we should kill immigrants just days after the same thing was shouted at a rally for presidential hopeful Jonah Ryan on Veep?
But it also leaned more purposefully than ever into a darkness that acted both as commentary on our actual political climate and as its own parallel universe of crazy. Yeah, go ahead and give that nasty woman another Emmy.
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The Hulu version, which follows Veronica as she tries to get to the bottom of a series of bombings in Neptune during spring break, feels like a throwback only in the sense that it does well what the first two seasons of Veronica Mars also did well. It digs deeply into a good mystery, gives Kristen Bell the space to make sarcastic remarks, and arrives at shocking conclusions.
It also understands that the best relationship on the series was never Veronica and Logan, or even Veronica and Duncan. This Starz series, now in its second season, is one of the best examples on TV today of how to tell a culturally specific story. You can feel in every frame that the details are right, from the way characters slip and slide between English and Spanish to the way the steamy sex scenes are always presented with a female point of view.
And, well, let's not even deal with the theme of the game legality, its omnipotent "data mining" algorithms and the total absence of cops during the most spectacular "feats" of the players except when they are necessary to complicate the plot, naturally. But even leaving aside the huge logical holes and technological exaggerations, the main problem lies on the reaction the main characters; instead of being realistic characters trapped into an unusual situation, we have pre-fabricated puppets to fill in the requirements of the screenplay. I guess I shouldn't be surprised; a visit to Amazon confirmed the fact that Nerve is based on a "young adult" novel Anyway, taking it on its own, I found Nerve moderately entertaining but forgettable, appealing to the digital obsessions of the juvenile audience in order to "connect" on a more emotional level we already know that life experiences are valid only if they are registered on video or some shape of social network.
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A high school senior finds herself immersed in an online game of truth or dare, where her every move starts to become manipulated by an anonymous community of "watchers. Directors: Henry Joost , Ariel Schulman. Writers: Jessica Sharzer screenplay by , Jeanne Ryan based on the novel by. Added to Watchlist Add to Watchlist. From metacritic. Arjun Rampal's Watchlist.
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